Matthew Creith is a movie and TV critic based in Denver, Colorado. He’s a member of the Critics Choice Association and GALECA: The Society of LGBTQ Entertainment Critics. He can be found on Twitter: @matthew_creith or Instagram: matineewithmatt. He graduated with a BA in Media, Theory and Criticism from California State University, Northridge. Since then, he’s covered a wide range of movies and TV shows, as well as film festivals like SXSW and TIFF.
Experience:
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‘Oh, Canada’ Star Richard Gere Says ‘Artists Will Find a Way to Communicate’ in the Face of Oppression
Cannes 2024: Gere, Uma Thurman and director Paul Schrader talked about inspiration and impact at the press conference for their new film
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Emma Stone Bombarded With Sex Scenes Questions in Uneasy ‘Kinds of Kindness’ Press Conference
Cannes 2024: Despite having the entire cast on hand, most questions during the presser were directed at the Oscar winner about sex in the film
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‘Megalopolis’ Director Francis Ford Coppola Slams Studio System at Cannes: ‘The Studios Are in Great Debt’
The filmmaker and his cast also defended Coppola’s grand vision and touched on Donald Trump during the divisive film’s press conference
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‘John Mulaney Presents: Everybody’s in LA’ Review: Netflix Live Special Reinvents the Late Night Format
An outstanding lineup of guests and performers like Jerry Seinfeld and St. Vincent bolster the comedian’s anarchic take on chat shows
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‘Palm Royale’ Review: Kristen Wiig Claws Her Way Into Palm Beach High Society in Apple’s Campy Retro Comedy
Ricky Martin, Laura Dern and Carol Burnett are among the star-studded cast of the show from the producers of “Dead to Me”
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‘Babes’ Review: Michelle Buteau and Ilana Glazer Charm in Pamela Adlon’s Buddy Comedy
The “Better Things” creator’s feature film debut hits the right notes in a comedy about accidental pregnancy and friendship
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‘Road House’ Review: Jake Gyllenhaal Hits Hard in Rambunctious Reimagining of an ’80s Classic
Doug Liman’s update on the Patrick Swayze action thriller boasts a UFC theme that doesn’t hold back the punches
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‘Masters of the Air’ Review: Austin Butler and Barry Keoghan’s World War II Epic Takes Flight
Callum Turner also toplines an ensemble of U.S. Army Air Forces in the new limited series from the producers of “The Pacific” and “Band of Brothers”
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‘Sue Bird: In the Clutch’ Review: Sports Doc Doesn’t Reinvent the Format But Tells a Wondrous Story of a Basketball Icon
Sundance 2024: The former Seattle Storm athlete reflects on her 21-year career and her advocacy for LGBTQ+ rights and women’s sports
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‘Super/Man’ Review: Christopher Reeve’s Life and Activism Are Beautifully Laid Bare in New Doc
Sundance 2024: The actor’s journey from playing Superman to becoming disabled gets explored in this inspirational tearjerker
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‘Love Lies Bleeding’ Review: Kristen Stewart Shines in Blood-Soaked Revenge Story
Sundance 2024: “Saint Maud” filmmaker Rose Glass’ second feature relishes sex, love and violence as she makes the audience squirm
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‘Sasquatch Sunset’ Review: Jesse Eisenberg and Riley Keough Act Beastly in This Odd Bigfoot Saga
Sundance 2024: Director siblings David and Nathan Zellner’s dramedy about a Bigfoot family doesn’t leave a lasting impression
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‘Percy Jackson and the Olympians’ Review: Disney+ Delivers a Mythical Marvel That Surpasses the Films
Walker Scobell takes on the titular role of the demigod tasked with returning a thunderbolt to Zeus, while saving his mother from the throws of the Underworld
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Norman Lear Blazed a Path for Pushing Political Buttons on Network Television | Appreciation
Known for boundary-pushing series like “All in the Family,” “Maude” and “The Jeffersons,” the producer moved the needle while setting the bar for the American sitcom
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‘Monarch: Legacy of Monsters’ Review: Apple’s Godzilla Series Is Action-Packed but Disjointed
Father-son duo Kurt and Wyatt Russell lead this Apple TV+ spin-off that builds on the momentum of 2021’s “Godzilla vs. Kong”
